DOWNLOAD LATEST SOUTH INDIAN MOVIES IN HINDI

DOWNLOAD LATEST SOUTH INDIAN MOVIES IN HINDI


LATEST SOUTH INDIAN MOVIES

South Indian movies are now getting tremendous positive responses. Famous for their interesting storyline, fighting scenes, and comedy, South Indian films came a long way in the competition with Bollywood movies. Many of the films are not only getting popular in India but are spreading across the entire globe.

Nowadays, many of the newly released Bollywood movies are the remakes of South Indian films. The Tollywood industry never failed us; they came up with a variety of ideas, from horror-comedy, with intense thrill and fun, to science-fiction and love story with some surprising twists. The Tollywood industry won the hearts of many people.

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KRACK 

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Krack is a 2021 Indian Telugu-language action thriller film directed by Gopichand Malineni, who wrote the script with the dialogues given by Sai Madhav Burra. It stars Ravi Teja, Shruti Haasan, Varalaxmi Sarathkumar, and Samuthirakani. Produced by B. Madhu under Saraswathi Films Division banner and based on multiple true incidents that took place in the states of Andhra Pradesh and Telangana, the film depicts the conflict between a circle inspector and a gangster.

After the launch at a formal ceremony on 14 November 2019 at Hyderabad, principal photography commenced on 21 November 2019, and ended on 7 December 2020, despite production delays due to the COVID-19 pandemic. The film features music scored by S. Thaman, with cinematography performed by G. K. Vishnu, and editing by Naveen Nooli.

Krack was released theatrically on 9 January 2021, and opened to positive reviews.[6] The film was commercially successful, grossing over ₹70 crore at the box office.[7]

PLOT

Venkatesh narrates that a ₹50 note, a green mango, and a nail resemble the fate of three persons who come across a police officer.

A BBC journalist arrives at a jail in Delhi to interview Saleem Batkal, a criminal convicted for Mumbai blasts, but Saleem demands money from the interviewer, which to their astonishment is just ₹50. Upon taking it, he tells that he rented a house that is ₹50 cheaper than the previous one due to a scuffle between the owner and broker. The house Saleem rents at Kurnool for passport verification with fake details falls under the jurisdiction of Shankar's police station, where Saleem's men have no influence. After a dramatic turn of events, he is caught by Shankar, who notices the details Salim gave are fake. When Saleem tries to warn about his background, Shankar beats him up and arrests him.

In Kadapa, Konda Reddy, a highly sadistic goon, occupies the land of a doctor. When Konda Reddy is in a meeting, a girl tries to pluck from a mango tree in his yard, for which he angrily unleashes his dogs upon her. The girl is injured, and her mother files suit on him. The SP calls Konda Reddy, telling that this case might put Konda Reddy in trouble because it will be dealt with by CI Shankar. Konda takes him lightly, but the SP insists him to meet Katari Krishna, who is in the central jail of Rajahmundry. Katari appears as a regular prisoner, but Konda Reddy is intrigued when he learns about Katari's criminal record. Upon asking, Katari narrates his story that he rose to power by creating a bloodshed in Ongole, and is jailed later because of a nail.

Shankar is appointed as CI of Ongole, and meets constable Kiran, the son of a constable who used to work with Shankar. Jayamma, a close aide of Katari's, has a habit of going to the cinema on Fridays. There, she sees Katari's daughter with Kiran, and gets him grotesquely murdered by appointing men from Vetapalem. Shankar investigates about the murder, while relishing his memories with Kiran. He finds out that Katari was accused for a similar kind of murder a few years ago. At a village fair, Shankar goes to bring Katari to the police station for enquiry, Katari warns Shankar of his background, which irritates Shankar and gets him arrested.

Katari is released when Jayamma gets him a bail, but they are stunned to know that his daughter married another police constable. That night at the cinema hall, her boyfriend's leg is accidentally pierced by a nail, due to which Kiran drops her at the house. Unaware of this, Jayamma misinterprets Kiran to be her boyfriend. During their wedding reception, Katari's wife requests the couple to leave the town to be safe. She, however, conspires to kill her daughter's husband. Katari's men attack them at the bus station, but Shankar saves them. A man caught their names Jayamma was the perpetrator. Knowing this, Katari asks his men to kill Jayamma, so that his name does not come out. Jayamma is killed by the time Shankar arrives to arrest her. While chasing the killers, he shoots one of them, but accidentally kills an innocent bystander. Shankar is suspended, but during his private investigation, he learns that his associate Tilak had killed that innocent, as he was on Katari's payroll. Shankar gets hold of all the evidence against Katari that Tilak has. Katari tries to warn Shankar by attacking his family, but his wife Kalyani, a former police officer, is able to defend them. Shankar rejoins his job and fights with Vetapalem gang members, and kills all of them at the beach. And Shankar tracks down Katari to arrest him. Katari tries to escape by boarding a lorry, but its tyre gets punctured by a nail, and he is caught.

Now Konda Reddy makes sure that he does not use the word "background" in front of Shankar, and treats him with respect, but his assistant hurriedly comes and utters the word. Shankar thrashes him and puts him in the same jail where Katari is kept. Saleem, now transferred to that jail, tells them he is trying to seek revenge on Shankar. They both laugh it off.


CAST

  • Ravi Teja as CI Potharaju Veera Shankar
  • Shruti Haasan as Kalyani
  • Samuthirakani as Katari Krishna
  • Varalaxmi Sarathkumar as Jayamma
  • P. Ravi Shankar as Konda Reddy
  • Anish Kuruvilla
  • Sudhakar Komakula as Constable Kiran
  • Chirag Jani as Saleem Bathkal
  • Posani Krishna Murali as SP
  • Sapthagiri as Subba Reddy
  • Jeeva as Local Rowdy
  • Vamsee Chaganti as SI Balaji
  • Mouryaani as Katari Nithya
  • Aashrita Vemuganti as Katari Krishna's wife
  • Mahesh Kathi as Kathi
  • Priyanka Raman as Deepti Bedi
  • Satwik Malineni as Kalyani and Shankar's son
  • Hyper Aadi as Constable
  • Mukku Avinash as Constable
  • Devi Prasad as S.I. Tilak
  • Stun Siva as Ankudu
  • B. V. S. Ravi as Bystander
  • Anketa Maharana in a special appearance in the item number "Bhoom Bhaddhal"


 PRODUCTION

Development

On 26 October 2019, Ravi Teja announced his 66th film as an actor with the tentative title RT 66, which would be directed by Gopichand Malineni, marking the third collaboration between Teja and Malineni after their previous films Don Seenu (2010) and Balupu (2013). Prior to commencement of the shoot, Gopichand Malieni claimed the film was neither inspired by nor a remake of any film. He described it as "an original story based on several true incidents happened in the Telugu states." On 14 November 2019, the makers announced the title of the film as Krack.[13][14]


Casting


Shruti Haasan was chosen as the lead actress alongside Ravi Teja, making it their second collaboration after Balupu.[15][16] Originally, she took a break from acting in Telugu films, after Pawan Kalyan's Katamarayudu (2017), made her comeback in the Telugu film industry with this film.[17][18] Tamil film actress Varalaxmi Sarathkumar was chosen to play a key role, making it her second Telugu film after Tenali Ramakrishna BA. BL (2019). Samuthirakani similarly joined the cast, collaborating with Ravi Teja after Shambo Shiva Shambo (2010).S. Thaman was roped in to compose the music for the film,[20] while cinematographer G. K. Vishnu, editor Naveen Nooli and action choreographer duo Ram-Lakshman, were also a part of the technical crew.


Filming


The film was launched on 14 November 2019 at the Film Nagar Temple.[b] Producer Allu Aravind attended as the chief guest and did the honours. The principal photography commenced on 21 November 2019 in Ramoji Film City. Around late November, the makers filmed a Jatara episode featuring Ravi Teja and hundreds of supporting actors.During the shoot in early January 2020, director A. R. Murugadoss visited the film's sets in Hyderabad. The film's shoot was further interrupted due to the COVID-19 pandemic lockdown in India.


On 7 October 2020, Ravi Teja announced that he had resumed the shooting of the film at Ramoji Film City in Hyderabad, after lockdown,adhering to the safety guidelines imposed by the government in order to curb the coronavirus pandemic.On 15 October, the makers filmed a song shoot, featuring Anketa Maharana and Teja and the song being choreographed by Jani Master .Va.ralakshmi Sarathkumar, completed her portions in late October. On 2 December, Ravi Teja tweeted about the final schedule of the film held in Goa, which features a song shoot choreographed by Raju Sundaram. Filming wrapped up on 5 December 2020.



Music


The film's music is composed by S. Thaman, and lyrics for the songs were written by Ramajogayya Sastry and Kasarla Shyam. The film marks the second collaboration of Ravi Teja, Thaman and Gopichand Malineni after Balupu (2013). On May 2020, a fake Twitter handle of the film's director, announced an update about the first single, whereas the composer refuted such claims and asked the fans to wait for the official announcement.

The first single, "Bhoom Bhaddhal", was released on 13 November 2020, coinciding with the eve of Diwali. On 10 December 2020, the makers tweeted about the second single, which will be sung by noted Tamil film composer Anirudh Ravichander, which was later titled as "Balega Tagilavey Bangaram" and was released on 14 December 2020. The third single track "Korameesam Polisoda" was released on the occasion of Christmas, 25 December 2020.The fourth song of the film titled "Mass Biriyani" was unveiled on 4 January 2021.









NELA TICKET


NELA TICKET


Director: Kalyan Krishna
Cast: Ravi Teja, Jagpathi Babu, Malavika Sharma
Rating: 1.5/5
“Chuttulo Janam, Mathilo Manam” loosely translates to ‘surrounded by people, amid them we live happily’ is the philosophy that Ravi Teja’s character in and as Nela Ticket (Low Class Ticket) lives by. The film begins with politician Ananda Bhupathi’s death, which has been planned by his son, Adithya Bhupathi (Jagpathi Babu). A reporter finds the truth through some footage of the incident and she is attacked by his goons. Director Kalyan Krishna sets the premise of the film clearly in the first few minutes. How the villain is revealed to the public then unfolds entertainingly through the rest of the film through Ravi Teja’s antics.

The plot is simple, and the contrast in the treatment of the protagonist and the antagonist is worth mentioning. In the first half of the film, we see Ravi Teja’s ‘Mass Maharaja’ avatar. The only actor in Tollywood who can throw punches and yet tickle your funny bone at the same time has found the right script.

The film builds up to present the big reveal before the interval block slowly and steadily. The fact that the female lead is purely used for song and dance sequences is not surprising. Neither is the stalker-ish behavior of Ravi Teja’s character. Thankfully, we later learn that he had his reasons to become a student at the same university that Malavika Sharma goes to.

When a protagonist has to face an intelligent villain, we have edge-of-seat thrillers. In Nela Ticket, we have fools for sidekicks who entertain us throughout the film with their gags.

The film becomes a tad bit more dramatic post the interval. We have the sweet equation between a brother and sister, the powerful connection that Nela Ticket has with people around him.

The two things that hold the film together till the end is Ravi Teja’s humour and the sensible back story. For instance, the sketch about ministers being kept captive in a resort in Goa or how they are bribed for support is hilarious considering the current political scene in the country.

Nela Ticket scores low on sensitivity though with its rape jokes and the lead’s stalker-like behavior. Was it necessary to have a character threaten rape to get his way? Isn’t it time for Tollywood to lose this trope to get audiences to laugh, because it is tone-deaf and insensitive. And really, what is funny about it?

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